Don Quixote

Prologue 
Don Quixote, having read his fill of romances about knights and chivalry, decides to set off on his travels in order to achieve great feats, which willbring glory to his name. As his sword-bearer, he chooses the loyal Sancho Panza, a man of sober outlook who is not prone to dreams. 

 

Act I 
In Barcelona there is festive animation in the air. Kitri, daughter of the innkeeper, is flirting with Basilio, the barber, who is in love with her.Finding them together Lorenzo, Kitri’s father, chases Basilio away: the barber is no fit match for his daughter. Lorenzo intends Kitri to marry Gamache, a rich nobleman. Kitri refuses outright tosubmit to her father’s will. 

At the height of the merry-making, Don Quixote appears in the square, accompanied by his sword bearer, Sancho Panza. Catching sight of the innkeeper, Don Quixote mistakes him for the owner of aknight’s castle and greets him with respect. Lorenzo responds in like terms and invites Don Quixote into the inn. Sancho Panza is left in the square. But when some young people start to mock Sancho,Don Quixote immediately hurries to his sword-bearer’s rescue. 

Seeing Kitri, Don Quixote thinks she is the beautiful Dulcinea whom he has seen in his dreams and chosen as ‘the lady of his heart’. But Kitri disappears. She has run off with Basilio. Lorenzo,Gamache and Don Quixote set out to look for her. 

Act II 
Scene 1 
Kitri and Basilio are hiding in a tavern. Here they are found by Lorenzo, Gamache and Don Quixote. Lorenzowishes to make an immediate announcement of the betrothal of Kitri and Gamache. But Basilio, by agreement with Kitri, pretends to take his life. Kitri sobs over the body of her sweetheart. DonQuixote overcоme by noble indignation accuses Lorenzo of hardheartedness and, threatening him with his sword forces him to agree to his daughter’s marriage with the barber Basilio jumps to his feet.There is no point in him pretending to be dead am longer. 

Scene 2 
In the glade by the windmills is a sprawling gipsy encampment. Here too is a puppet theatre. Don Quixote and Sancho soon appear on the scene. The ownerof the puppet theatre invites Don Quixote to watch a show. Don Quixote follows the performance with rapt attention and, forgetting it is theatre, rushes on to the stage, sword in hand, to defendthose who need his protection. He breaks down the stage, sends the puppets flying and, catching sight of the windmills, mistakes them for evil magicians whom he has to get the better of. Grabbing amill sail, he is first lifted into the air and then falls to the ground. 

Scene 3 
The wounded Don Quixote and Sancho Panza find themselves in a forest. To Don Quixote, the forest seems to be full of monsters and giants. Sancho Panzasettles Don Quixote down to sleep, while he runs off for help. In his dreams, Don Quixote sees Dulcinea, ‘the lady of his heart’, surrounded by Dryads and fairies Sancho Panza comes back with theDuke and Duchess who have been hunting in the forest. He begs them to help the dreaming Don Quixote. The Duke and Duchess invite the wandering knight to visit them m their castle. 

Act III 
The Duke’s castle. All is ready for the reception of Don Quixote. 
Having heard from Sancho Panza the happy story of Kitri and Basilio’s love, the Duke and Duchess have kindly agreed to allow them to hold their wedding in the castle. Don Quixote and Sancho Panza areinvited to occupy the seats of honor. A solemn procession files past. Catching sight of Kitri, Don Quixote again mistakes her for ‘the lady of his reveries’. But the Duke and Sancho Panza manage topersuade him that she is the very same innkeeper’s daughter whom he helped to unite with Basilio, her sweetheart. 
The festivities continue. All thank the valiant knight and his faithful sword-bearer.

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Bolshoi Theatre

On 28 March (17 according to the old style) 1776, Catherine II granted the prosecutor, Prince Pyotr Urusov, the "privilege" of "maintaining" theatre performances of all kinds, including masquerades, balls and other forms of entertainment, for a period of ten years. And it is from this date that Moscow’s Bolshoi Theatre traces its history.

The Bolshoi building, which for many years now has been regarded as one of Moscow’s main sights, was opened on 20 October 1856, on Tsar Alexander II’s coronation day.

On 29 October 2002 the Bolshoi was given a New Stage and it was here it presented its performances during the years the Historic Stage was undergoing massive reconstruction and refurbishment.

The reconstruction project lasted from l July 2005 to 28 October 2011. As a result of this reconstruction, many lost features of the historic building were reinstated and, at the same time, it has joined the ranks of most technically equipped theatre buildings in the world.

The Bolshoi Theatre is a symbol of Russia for all time. It was awarded this honor due to the major contribution it made to the history of the Russian performing arts. This history is on-going and today Bolshoi Theatre artists continue to contribute to it many bright pages.

 

An inherent part of the Theatre’s activities is the presentation of concerts of symphony and chamber works, and of operas in concert performance, thus acquainting the public with works of all music genres. 

Now that the Bolshoi Theatre has two stages at its disposal, one of them its legendary Historic Stage which is at last back in action again, it hopes to fulfill its mission with an even greater degree of success, steadily extending the sphere of its influence at home and throughout the world.

 

The Bolshoi has to a large extent reacquired its authentic historical appearance, lost during the years of Soviet power. The auditorium and part of its suite of halls now look as they were originally conceived by Bolshoi Theatre architect Alberto Cavos. While the former imperial foyer halls have been given back their 1895 decor, this was the year they were redecorated for Emperor Nicholas II’s coronation celebrations. Each reproduced or restored element of interior decoration was made the object of a special project for which separate documentation was collected based on numerous archival and on-site researches.

In 2010 the auditorium suite of halls were renovated: the Lobby, the Main or the White Foyer, the Choral, Exhibition, Round and Beethoven halls. Muscovites were able to admire the restored facades and the renovated symbol of the Bolshoi Theatre — the famous Apollo quadriga, created by the sculptor Peter Klodt.

The auditorium has regained its original beauty. And, just like the 19th century theatergoer, so each member of the public today will be dazzled by its extravagant and at the same time “light” décor. The bright crimson, scattered with gold, draping of the interiors of the boxes, the different on each level stucco arabesques, the Apollo and the Muses plafond — all this contributes to the auditorium’s breath-taking impact.

Special attention was paid to the restoration of the legendary acoustics. International experts did extensive research work and made sure all their technical recommendations were carried out to the letter.

State of the art machinery has been installed in the stagehouse. The Bolshoi Theatre Historic stage now consists of seven two-tier rising and descending platforms. These platforms can easily change their positions, thus the stage can become horizontal, raked or stepped. The stage and backstage area can be united which creates a stage space of incredible depth.

New upper stage equipment, remotely controlled by computer, makes it possible to derive maximum use from lighting, sound and visual effects. Cutting edge rigs have been installed for the deployment of lanterns, special effects apparatus and acoustics. 

The orchestra pit has been provided with extra space under the forestage. This makes it one of the biggest orchestra pits in the world seating up to 130 musicians, which is necessary for the performance of such large-scale works as, for instance, Wagner operas.

The installation of state of the art stage equipment was a unique world-scale project. The reconstruction has doubled the Theatre’s total floor space. Thanks to the expansion of the Theatre’s existing underground spaces (under stagehouse) and to the construction of new underground space under Theatre Square, this has been achieved without any change to the Theatre’s external appearance.

Thus the Theatre has acquired badly needed new space, including an underground concert and rehearsal room, which has inherited its name from the Beethoven Hall, under the Theatre lobby. This hall is a multi-functional space which can be used in different ways. It consists of five main platforms: the central platform is the stage itself, two platforms to the right and left of it can be used either to increase the size of the stage or as audience space. The two remaining platforms form the main space of the auditorium. All of the platforms can be raised to foyer level to create a space for holding formal, receptions. Apart from this concert hall and its auxiliary premises, the rest of the underground space under Theatre Square accommodates a large number of technical, service and staff rooms.

The Bolshoi Theatre reconstruction project also included the renovation of the Khomyakov House, a protected architectural monument of the first half of the nineteenth century situated immediately behind the Bolshoi, which has been transformed into a service wing. Due to numerous 20th century reconstructions, the historical interiors of the Khomyakov House have been totally lost. While its main walls have been preserved, the interior layout has been redesigned to meet the Theatre’s present-day requirements. Thus the Khomaykov House, which is linked to the main Bolshoi Theatre building by an underground tunnel, is a key element in the gigantic Bolshoi Theatre complex.

The renovation of the country’s main stage was a landmark event in the lives of a large coordinated team of highest-level professionals. Participating in the project were uniquely qualified specialists whose great feat of labor will earn them the undying gratitude of present-day Bolshoi Theatre audiences.

 

Car

Mokhovaya Street

If you are on Mokhovaya Street keep driving straight ahead, not turning off it, till you reach Theatre Square where the Bolshoi Theatre is situated.

Tverskaya Street

If you are moving down Tverskaya, in the direction of the centre, you will automatically find yourself on Teatralnyi Proezd Street leading to the Bolshoi Theatre.

Petrovka Street

If you are on the Petrovka, which is a one-way street, you will be able to drive right up to the Theatre.

Metro

Take the metro to Teatralnaya (Bolshoi Theatre exit) or Okhotnyi ryad (Theatre Square exit).

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